THE VIEW FROM CHAOS MANOR View 111 July 24 - 30, 2000 |
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Last Week's View Next Week's View This is a day book. It's not all that well edited. I try to keep this up daily, but sometimes I can't. I'll keep trying. See also the monthly COMPUTING AT CHAOS MANOR column, 4,000 - 7,000 words, depending. (Older columns here.) For more on what this place is about, please go to the VIEW PAGE. If you are not paying for this place, click here... For Previous Weeks of the View, SEE VIEW HOME PAGE Search: type in string and press return.
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of previous pages of view, see VIEWDEX. See also the New Order page, which tries to make order of chaos. These will be useful. For the rest, see What is this place? for some details on where you have got to.
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Highlights this week:
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This week: | Monday
July 24, 2000
Fiction today with any luck. I also need to tear the guts out of Fireball and salvage any useful parts. I may keep the full size tower case since I need to build a machine that can read 5 1/4" floppy disks and also has a full size glass disk drive for reading some of my older archived 5 1/4" glass disks so they can get into the current archiving system. This is a repeat of the tag at the end of last week's view: Lots of BADMAIL returns from my mailer to subscribers. If you subscribe and did not get a mailing this weekend (actually TWO mailings) look at badmail and see if your name is there. If it is NOT there, and you did NOT get the mailing, please send me details: when you subscribed, and how. My mailing list should be up to date as of evening July 22, 2000. I haven't got the ones that came in this weekend. Sky and Arwen Dayton at dinner last night. It's a bit of a celebration. Arwen has published her first book (a fantasy) and sold her second to Penguin. She wrote the second one in about 10 weeks.
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This week: | Tuesday, July
25, 2000
Too much to do. I suppose that beats the daylights out of the alternative. There is more on the modern infantry discussion in Mail. Enough that I may pull all that out and make a separate report page. I also have a good letter about Beam Piper's works that I think I will make into a separate report. Now if we can make some more hours...
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This week: |
Wednesday,
July 26, 2000 Tomas Holsinger sends this URL http://live.altavista.com/scripts/editorial.dll?efi=888&;ei=2021854&;ern=y on "cold plasma" which is well worth your time. I have done some revisions of the recommended list and descriptions of what we use here. Alas, most of that will have to wait until Thompson and I get out the hardware book for O'Reilly. I have also added a WORK IN PROGRESS page.
Mr. Rayburn, you will note that you are in badmail: all mail to the address you have given me is returned as undeliverable. WHich is why you haven't got any of the mailings, and since your inquiries come from the same email address.... 550 <audio@techologist.com>... Host unknown (Name server: techologist.com: host not found)
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This week: |
Thursday,
July 27, 2000 I have copied [not moved] all the INFANTRY DISCUSSION to a new REPORT PAGE, and in future anything on that will be placed there. It's interesting enough to have a place of its own, and it was also long enough to distract people who have other interests. I found my previous Work In Progress page and put in a note or two and a link to the new CURRENT Work In Progress page. I have got out a mailing to subscribers. Two, actually. I am trying to keep the BADMAIL page up to date. If you subscribe and did not get recent mailings, look on the badmail page to see if you are not there. If you are, and you think your address is good, we may have a problem... Sometimes I get repeated mail complaining about not getting subscriptions, but all my attempts to reply are bounced... I need to think about the NAPSTER decision and what is going to happen now. I have installed Windows ME (officially released September 14, 2000) and so far I like it; but this remains a "no problems so far" report, not a recommendation. If you have problems with Windows ME please TELL ME. Movies, the West, and the Left: See mail; there's a comment by Carol, a response by Greg, and a long screed by me. And be a vegetarian! -- July 26 2000 BRITAIN Dieting girls risk cut in their IQ Times of London http://www.sunday-times.co.uk/news/pages/tim/2000/07/26/timnwsnws01015.html BY NIGEL HAWKES, SCIENCE EDITOR
TEENAGE girls are lowering their IQs by eating diets deficient in iron, according to a study in three North London comprehensive schools.
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This week: |
Friday,
July 28, 2000 Roland Dobbins sends this URL with the caption "The truth will out." http://www.vny.com/cf/news/upidetail.cfm?QID=105679
It’s amazing what writers will do to avoid work. Up in my Monk’s Cell, where I go to write fiction – no telephone, no games, no books, nothing to do but get it done – the old Northgate OmniKey PLUS keyboard I’ve used for years was getting a bit dirty. Actually it was filthy. I have the filthy habit of eating popcorn while I edit. Now I don’t mean ‘filthy’ in some moral sense; so far as I know there is no moral degradation associated with eating popcorn, and since I dry microwave the popcorn and use the zero calorie "I Can’t Believe It’s Not Butter" spray one might even say it is virtuous. No, I mean filthy in the absolutely literal sense: the butter spray is a grease, and over the years the keyboard had acquired a veneer of gray to black grease on every key, particularly on the left side, which tells you which side I keep the popcorn bucket on. Bucket – for a long time I used a bucket I got when we saw the premier performance of The Lion King, which will tell you something of how long ago this has been going on. Eventually that wore out and at the Sinclair paint store ("We cover the earth…") I found a blue plastic paint bucket that works just fine. Anyway, over the years that keyboard became filthy. The other day I tried dabbing at it with Kleenex and spit, which accomplished precisely nothing: the dirt was way beyond that. Then I tried Kleenex and some Scope – I take my briefcase up to the Monk’s Cell, and there happened to be a bottle of Scope in there – also with zero result. So today I brought a bottle of hexane isomers and tetrafluoroethane contact cleaner, a bottle of Windex, paper towels, and a terrycloth shop cloth. It took both. The contact cleaner worked on some of the stuff, the Windex on more, and both together got the job done in maybe five minutes. Every key had to be wiped vigorously with both paper and cloth, and both solvents. The contact cleaner is a can I have had for years, and I suspect the EPA would have conniptions – I haven’t seen any for sale for some time. The new stuff you can buy at Fry’s (which has a big selection of cleaning solvents) seems anemic compared to the old genuine article. There was a time when I would have taken my keyboard to the shower and scrubbed it vigorously with warm water and soap, then let it dry; but the last experience I had doing that wasn’t a good one – it took a long time for my programmable keyboard to dry out and come back to normal – and I’m superstitious. I’ve done a lot of good work on this keyboard, it works well, and I don’t want to take chances with it. So now it’s gleaming brightly, the keys all work better as a result of their tetrafluoroethane bath, and I can get back to work on Mamelukes….
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This week: | Saturday,
July 29, 2000 I see the courts have decided to let Napster continue, while the Napster fans frantically download hundreds (each) of other people's property. I suspect the results may not be as much fun as the "information wants to be free" outfits think. The analogy to movies and tapes is not all that good, what with CD burners and MP3 players, because it's pretty hard to distinguish a pirated song from an authorized one from the performance quality. Books remain books, and that analogy isn't perfect either. But I fear I don't quite understand the person who says "I paid for this so I have a right to give copies to anyone I like and to hell with 'copyright' whatever that is." One can always find good motives, of course. I once went to lecture to a class: the teacher had Xeroxed a copy of one of my shorter works and given a copy to each in the class. Xerox costs in those days were several cents a page, meaning that each of those copies cost the school more than would a copy of the anthology the story was in; but of course the teacher had access to a free Xerox and no budget for copies. I lost, what, 30 x 20 cents royalty or maybe 6 bucks so I didn't say anything, although perhaps I should have: it's not the money. On the other hand, think of it as free advertising, I suppose: perhaps some of those students not only bought the anthology but became lifelong fans. It happens. So these questions are complicated, and the most intelligent discussion of it I have seen yet comes from the Metallica people, (not sure where) who want control over what is done with their work. Napster arguably does some good for beginners, but the fact is that 95% of the Napster downloads are of material from outfits like Metallica and other big names, all copyrighted material; Napster knows this; and to argue that they should not have to take off copyrighted material because that would put them out of business is unconscionable. Their business is piracy, without piracy they would have no business, they know this, their customers know this, and presumably the courts know this. So the Napster aficionados are bragging about frantically downloading other people's property while they can. A feeding frenzy. One wonders how long a Republic whose youth do not understand the concepts of property -- worse, demand a RIGHT to other people's works without permission -- worse, demand that the government protect their right to other people's property -- will remain a republic. Historically, not too long. Republics are delicate things, really, and required a fairly virtuous people. Self government is never easy, and always requires self restraint. When a people become as wolves are, roaming the hills with nothing but capability separating their actions from their appetites, they will find they cannot sustain a republic. John Stuart Mill said of such people that they would be fortunate to find themselves a Charlemagne or an Akbar. More likely Commodus. Or, well, uh, Emperors often have odd sexual appetites. Power does that. As Joseph Conrad knew. See Heart of Darkness... Perhaps I am merely in a bad mood this morning, and making far more of this than it deserves. It's only a bunch of songs, none of which I listen to anyway. I am reminded that all is not well in other quarters: I'm sure someone has probably pointed you at the Courtney Love speech by now, but just in case: http://www.salon.com/tech/feature/2000/06/14/love/index.html I found it very interesting, coming from someone in the middle of it all. Drake Christensen A surprisingly articulate Courtney Love rails against the recording industry, and particularly against their lobbying effort. (I say surprisingly not as insult but as a statement of fact: I suppose I don't expect rock recording artists to be articulate. Probably a failure on my part.) If things there are as she says -- all their works are 'works for hire' and not protected by artist copyrights -- then the situation is grim indeed. But I don't see how handing off her works from person to person for free does her any good either. It may be that between changed laws, Napster, and the other new technologies, there won't BE any money in recording for artists, and it will all be in concert tickets; again that won't change my life much. I certainly have no intention of attacking or defending the recording industry, about which I know nothing. I leave to that to Prince (formerly "the artist formerly known as Prince") and Metallica and Courtney Love, none of whom I've ever heard, but then I am a former president of Science Fiction Writers of America and I went to Congress to defend rights for people I had never read (as well as my own, of course). The Authors Guild and various outfits like SFWA seem to have done a far better job of protecting legal rights than has Courtney Love and her companions and colleagues, although they make, or are said to make, far more money than most of us writers. I know I had to teach the Mystery Writers of America how to set up a Grievance Committee, and how to force audits of publishers account books (SFWA did some of the first audits in the fiction business when I was President and thereafter). Perhaps the musical artists ought to form a guild (or if they have one, pay more attention to it) and particularly make sure they have people in Washington. The Imperial City is for sale, of course, and much of what it does -- such as convert artist work into works for hire at the stroke of a pen at midnight -- Love tells the story in her account -- has drastic effects on people. But then eternal vigilance is the price of more than liberty, and those who do not and will not govern themselves will find themselves governed by those who like minding other people's business -- and who are often for sale. I don't like having to pay guilds and associations to watch out for my interests in Washington, but I have no choice; neither do Metallica and Courtney Love. Publishers have tended to be the class enemy for writers, and apparently music publishers have much the same relationship with artists. Writers are fortunate in that we don't need much in the way of equipment to produce what we do; until recently that hadn't been the case with recording artists, although now, with PC controlled digital recorders and such like, apparently it is possible to produce professional quality work in a garage on equipment affordable by not particularly wealthy individuals. It's still more expensive than a simple word processor, but then it doesn't take a year and more to do a song for recording, so I suppose some of that is a wash. Understand: I don't pretend to understand the recording industry or marketing. But I do have a common interest with creative artists of all kinds (probably more with the song writers than the performers, but often those are the same people); and I do have an interest in not seeing the youth of the nation converted to the notion that they have a right to everyone's work, and artists have no right to control what they produce. I am sure there will be much commentary in mail. For the Metallica view of the situation see mail. There is much more there.
Internet
Fight Brewing Over 'Spam' tells the story of how yesmail is 'fighting back'. These are the buzzards who keep me on their damned mailing lists despite all attempts to get off, and who say spammers have a right to spam, and it's free speech. I am with Eric Pobirs on this: until something physical and unpleasant begins to happen to spammers, they will continue to waste our time forever. The first unpleasant effect need not involve amputation. Repeated offenses ought to invoke the law of the Koran. Brroks Clark says: FYI - You were mentioning problems at Amazon. Seems like you are not the only one. http://www.msnbc.com/news/438107.asp Actually, I am not all that angry. More a bit miffed. But thanks. Dear Jerry: Illiad of UserFriendly fame http://www.userfriendly.org goes along with Eric Pobirs in a more draconian approach to spam. Friday's cartoon: http://ars.userfriendly.org/cartoons/?id=20000728 hit a hot button with a lot of readers. That stuff drives me crazy too. --Jerry jwright@rocket.com Yep. I like his stuff. Pity we can't DO that... For fun with international symbols, visit http://www.symbolman.com/
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This week: | Sunday,
July 30, 2000 The intellectual property discussions continue with a long letter and reply over in mail.
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